Munch & Crunch @ Fremington Quay

We are now both safely home, dry and rather sunburnt after our first gig of the season at Fremington Quay. Following an early start and some scrambled eggs on toast, dear Beano drove us deep into the heart of North Devon to Fremington Quay whilst I had a lovely nap in the car. We received a very warm welcome from Paul and Charlotte at the Fremington Quay Cafe and Fiona from Beaford Arts – the former providing lots of support as well as coffee, a delicious organic lunch, date slices, cans of coke and strawberry ice cream and the latter providing lovely pink blankets for the kids to sit on and some fantastic stewarding and ticket selling skills!

The shows went down a treat – the sun was blazing and we performed against the gorgeous back drop of Fremington Quay. Lots of families came along and we made some great friends – Mary-Jane, Simon, Fred, William, Emily, Aidan and Caleb to name but a few!

We’re really excited about meeting lots of new people and performing to more lovely families throughout the summer. Catch us at Kingsbridge next Sunday 20th May for their Olympic Torch Celebrations….and you never know …we might host our very own Olympics…hip hip hooray!

Munch & Crunch…the vardo is officially out of the shed!

The gypsy vardo is out of the shed, Beano is making a cow hat and Bunny is polishing her magical moo-tubes. It can only mean one thing! Munch & Crunch Summer Season 2012 officially kicks off tomorrow! We start at Fremington Quay at 12.30pm with more shows at 2pm and 3.30pm. Tickets are £3 adults £2 children with family tickets for £10. Call Beaford Arts on 07900 412 747 for tickets. Or just turn up and we’ll fit you in!

We’ve been rehearsing out striped socks off and we’re ready for action! It’s been really fun getting all the old props, costume and funny odds and ends out of the vardo as well as developing some new routines for the discerning 2012 festival crowd. We now have new material, banter, games and silliness with which to entertain our crowds.

We’ve got plenty of gigs booked with more to be confirmed. Have a look at the DATES page to see where you can catch us and we can’t wait to see you at a great British festival this summer!

Manning Up for Sinbad

It’s the night before my long journey up to Richmond to start rehearsals for The Adventures of Sinbad and I really feel like I’m on the edge of something. It’s a nice excited feeling but I also feel like I’m about to be hit by a bus. A sweaty all-singing all-dancing all-cross dressing megabus.

I’ve packed my bags (sort of), printed my rehearsal script and told my housemates where to forward my post to. (organised, non?!). I’ve got the hair cut, the trousers and have watched endless videos of Lord Flashheart in Blackadder. (Woof!)

This is a really big thing for me – my first pantomime, my first time playing a boy and my first time performing in the Georgian Theatre Royal. Friends, family, extended family and the Geordie bloke from Orange who sold me a dongle over the phone have all booked their tickets. It had better be good.

I’ve been doing a little research into the history of male impersonation and cross dressing or “gender bending” in Britain, in particular female performers in leading male roles or “breeches parts” in pantomime, music hall, and opera in the 18th and 19th centuries. Great male impersonators such as Vesta Tilley and other popular music hall stars of the day such as Marie Lloyd have played as principle boy and more recently Hayley Mills and Cilla Black.

The principle boy is certainly an interesting tradition and one than has been somewhat out of fashion since the rise of the modern celebrity in the 50s and 60s, giving the lead male role to the likes of Cliff Richard, Norman Wisdom and more recently, the enormously talented Gareth Gates. I’m looking forward to bringing the female principle boy back to the pantomime stage in the 21st century.

See you at the Georgian.

Love Bunny x x x

Unemployment, champagne and name dropping

Professors of Drama warned me that 90%+ of the acting community would be out of work at any one time. But I sort of went…”Yeah yeah yeah..” in a nonchalant studenty way.

So here I am – 18 months in “the industry” and on my second period of unemployment between finishing Smuggler’s Gold this summer and starting The Adventures of Sinbad in a couple of weeks time. With only some arts admin work to do for Prom-Prom to keep me occupied….I have found myself in what can only be described as a morbid unemployment coma.

The nights are drawing in and I’m definitely suffering from SAD. I have endured endless phone calls with the tax office, Jobcentre Plus and the bank. I have shouted at pre-recorded messages. I have absorbed countless episodes of the Jeremy Kyle show, Three in a Bed, Bargain Hunt, Deal or No Deal and my new favourite, Country House Rescue. My diet consists mainly of beans and potatoes. I have stared endlessly at my laptop screen sending e-mails, consulting spreadsheets and copying and pasting contact details for festivals and programmers. It was all starting to get a bit depressing.

But out of nowhere, I appear to have had an extraordinary week.

On Sunday I mingled with Brighton’s brightest and most glamorous at the Pavilion Theatre for the recording of The Byng Ballads written by Tony Lidington and performed by Julian Clary. Following the recording, I was honoured to share a taxi, a bottle of champagne and a midnight walk through the streets of Brighton with Julian Clary. Uncle and I then paid our respects to the rotting west pier with a good few beverages inside us to protect us from the salty gusting winds of Brighton.

On Monday I was auditioned impromptu in a cafe by a BBC radio producer for a play reading.

On Thursday I attended the opening event for Wide Awake Devon’s mentoring scheme and met a number of interesting people from Forkbeard Fantasy and Punchdrunk as well as chatting to a number friends from SourDough, Burn the Curtain, The Common Players and Exeter University.

On Friday I was taken on as a dresser and wardrobe assistant at the Northcott Theatre for Handspring Puppet Company’s Woyzeck On the Highveld. Whilst the job consisted of a generous amount of washing, drying and ironing (which I found extremely therapeutic)..I was saw the show that night and met the cast and crew after the show.

Sometimes, even in the darkest moments, luck and the spur of the moment take over.

Let the thigh slapping begin….

I’m pleased to announce that I’m going to be playing the role of Sinbad in the Georgian Theatre Royal’s pantomime, “The Adventures of Sinbad” directed by Tony Lidington. I’m really excited – this will be my first pantomime season, my first time playing a boy and my first time performing in a theatre oop north. Eee by eck ma it’s parky. Or something.

I’m thrilled to be working with Joe Fleming who I performed with in Pierrot troupe, The Pier-Echoes last summer , Dominic Goodwin who has the fruitiest voice I’ve ever heard in my life, Gacko – a fiercely sharp witted street artist and storyteller who will be playing the baddie and the lovely Lucy Frost who will be playing my Princess! I’m also looking forward to being directed by my dear Uncle Tacko once again.

I’ve been doing lots of yoga, zumba and running to try and get fit for the panto season as apparently 2 shows a day 6 days a week can really take it out of one! Wish me luck…or better…a broken leg. Or even better than wishing me a broken leg – come and see the show! It’s running at the Georgian Theatre Royal, Richmond, North Yorkshire from 8th December until 7th January. Click here to book tickets!

Over and out

Bunny x

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